Friday, 14 October 2016
Continuity sequence
This is the continuity piece which our group created last week. We used apple macs and premiere to edit the sequence. It was our first time editing with premiere and we found it challenging initially but soon got to grips with it. Whilst filming we found it challenging to stick to our time limit of 30 seconds, because we had three minutes worth of shots. This is something we will focus and work on while filming our title sequence.
Friday, 30 September 2016
Continuity Exercise
In the past few lessons, my group and I have filmed our continuity exercise. I wanted to use a variety of shots so we used panning shots, point of view shots, tracking shots, and birds eye shots. We decided I would direct this as well as the thriller title sequence, and Aaron will be the producer.


Friday, 23 September 2016
Thriller Sub-Genres
When planning our thriller opening sequence, we need to take into account multiple things, including plot, camera angles, mise-en-scene and sub-genre. There are many sub-genres of thriller that i have came to find, including:








Typical conventions of thriller include:
-Low Key Lighting
-Quick Cuts
-Shadows
-Tense Music
-Changes in the angles of shots
-Digetic breathing sounds
-Motage of shots
-Protagonist is usually male, trying to restore the equilibrium
-Antagonist's identity is usually revealed bit by bit throughout the thriller
-Antagonist usually wants revenge for a past event
-Close Ups and Extreme Close ups
-Shots of antagonist will cut quickly/will aim to hide their identity
-Jump Cuts
- Action Thriller
- Horror Thriller
- Psychological Thriller
- Drama Thriller
- Comedy Thriller
- Legal Thriller
- Supernatural Thriller
- Political Thriller
- Techno-thriller
- Conspiracy Thriller
- Crime Thriller
- Spy Thriller


Typical conventions of thriller include:
-Low Key Lighting
-Quick Cuts
-Shadows
-Tense Music
-Changes in the angles of shots
-Digetic breathing sounds
-Motage of shots
-Protagonist is usually male, trying to restore the equilibrium
-Antagonist's identity is usually revealed bit by bit throughout the thriller
-Antagonist usually wants revenge for a past event
-Close Ups and Extreme Close ups
-Shots of antagonist will cut quickly/will aim to hide their identity
-Jump Cuts
Camera Angles - Continuity Exercise Prep
In one of our recent lessons we revised over and learnt new camera angles, and were given a list of those we should consider using in our continuity exercise. These included:
- Extreme Close Up (ECU)
- Big Close Up (BCU)
- Close Up (CU)
- Medium Close Up (MCU)
- Medium Shot (MS)
- Medium Long Shot (MLS)
- Long Shot (LS)
- Very Long/Wide Shoe (VLS)
- 2 Shot
- Over the shoulder (OTS)
- High Angle
- Low Angle
- Tilted Frame
My group and I also spent time trying out these shots with our cameras, and we are aware thaat extreme close ups, close ups, high and low angles shots and over the shoulder shots are typically used frequently in thriller movies so focused mainly on these shots.

Friday, 16 September 2016
Thriller Directors

Alfred Hitchcock
Hitchcock was an english thriller director who lived from 1899-1980. Some of his most famous work is linked closely with Saul Bass, as they both were part of the making of movies like "Pyscho" and "Vertigo." Others of his work include:
-When Boys Leave Home
-The Ring
-Blackmail
-Murder!
-The Lady Vanishes
Quentin Tarantino
Alternatively to Hitchcock, Tarantino's work centers mainly around the action thriller genre. Some of his most famous works are:
-Pulp Fiction
-Kill Bill Vol.1
-Kill Bill Vol.2
-Django Unchained
Friday, 9 September 2016
Saul Bass - Graphic Designer/Film Director
Saul Bass-His work



I am personally very impressed with Bass's work and I like the fact that they all have the same aesthetic and style by being quite simple yet effective at planting narrative enigmas about the film.
The opening title sequence for Alfred Hitchcock's "Vertigo" begins with a sound bridge that instantly creates an atmosphere and mood typical as a "thriller". Typically the heavy stringer orchestral music creates an atmosphere of mystery and suspense. The establishing shot is an extreme close up of an eye, typical of a thriller as this portrays emotion and the fear of the character.
The opening title sequence of "Psycho" features the titles being split into pieces, which could symbolise both the knife cutting the words in the same way the antagonist cuts the victim and also connotes the way the antagonists mind may be in pieces and not all together because he is a "psycho" which is a abbreviation of the mental disorder "psychopath." The music features high pitched violins, typical of fear, suspense and panic.
Saul Bass is a graphic designer and film director, infamous for creating title sequences for films in the 1950's-1960's, and is a traditionalist within his work. He has worked for some of Hollywood's most prominent filmmakers including Alfred Hitchcock, Otto Preminger and Martin Scorsese. He became widely known in the film industry after creating the title sequence for Otto Preminger's "The Man with the Golden Arm", which targeted the topic of heroin addiction.
Bass created title sequences for many world-renowned films including:
- Around the World in 80 days (1956)
- West Side Story (1961)
- Big (1988)
- The Age of Innocence (1993)
Bass also created logos for many companies as shown below:
Additional to that designed movie posters, some of which were for films he created the title sequence for, including "The Man with the Golden Arm."



I am personally very impressed with Bass's work and I like the fact that they all have the same aesthetic and style by being quite simple yet effective at planting narrative enigmas about the film.
The opening title sequence for Alfred Hitchcock's "Vertigo" begins with a sound bridge that instantly creates an atmosphere and mood typical as a "thriller". Typically the heavy stringer orchestral music creates an atmosphere of mystery and suspense. The establishing shot is an extreme close up of an eye, typical of a thriller as this portrays emotion and the fear of the character.
The opening title sequence of "Psycho" features the titles being split into pieces, which could symbolise both the knife cutting the words in the same way the antagonist cuts the victim and also connotes the way the antagonists mind may be in pieces and not all together because he is a "psycho" which is a abbreviation of the mental disorder "psychopath." The music features high pitched violins, typical of fear, suspense and panic.
Subscribe to:
Posts (Atom)